Tag Archives: Netwalking Space

The two covers of Netwalking Space are now one

It wasn’t my intention to have two covers for Netwalking Space. But what happened was that I’d contacted my original cover artist, who had done the work on Netwalk: Expanded Edition and Netwalker Uprising to see if he could do this last cover. Which he did–the cover on the right side, with the title on the bottom.

It’s a gorgeous cover, and there’s nothing wrong with it–but. But! When I went to repackage it for the CreateSpace cover, nothing I did worked. I tried and tried, but I couldn’t get it to fit to CreateSpace specs. And he is busy at a day job, so…I turned to the designer of my fantasy series covers to have her do the paperback version. I decided to leave the ebook cover as is, and see if it sold.

Nothing.

So nothing was lost by switching the cover for the ebooks to match the paperback.

I think I’m going to eventually switch covers on the others, starting with the failed lousy cover I did for Netwalk’s Children. I do need to get to work on compiling the collection of the Bess and Alex novelettes (Tranquility Freeriders, Too High to Fall, and Of Archangels and Fuzzy Green Mascots). But this step is done.

We’ll see if it sells better now.

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Happy book day, NETWALKING SPACE

Netwalking full cover

0594-netwalking-space-cover

The paperback edition hasn’t quite cleared Createspace yet, but there’s the cover above! While the ebook cover was lovely, it just didn’t work in translation to hard copy. So the fantabulous Roslyn McFarland worked her magic, and lo…a hard copy cover! The woman on the front cover could be Bess, or Nora Achimade, or a couple of other characters…even Ekua the Netwalker.

But the ebook is out! Here’s all the information:

Amazon: https://www.amazon.com/dp/B01N33JCVZ

Barnes and Noble: http://www.barnesandnoble.com/w/netwalking-space-joyce-reynolds-ward/1125476216

Apple iTunes: https://itunes.apple.com/us/book/id1194878070

Kobo: https://www.kobo.com/us/en/ebook/netwalking-space

The blurb:

78,954 alien devices appear just outside Pluto orbit, with a projected trajectory that ends at Earth…and the data shows they’re identical to the Gizmo war machine that destroyed ten Earth cities before it was captured and confined….

 

For four generations Bess Fielding and her family have led the battle to control the destructive Gizmo device that also allowed for the development of Netwalk, a digital virtual networking and communication system that allows personalities to upload at death. Bess, her mother Melanie, and her Netwalker great-grandmother Sarah have suspected Gizmo’s alien origin for years.

 

But when a fleet of Gizmo devices arrives at the Solar System, their focus on defending against this invasion is disrupted by disclosures of dark secrets from Sarah’s past. These revelations provoke a dangerous breakdown in Bess’s grandmother Diana, turning her into a Gizmo collaborator. Bess and her family must unite to save Diana and lead the fight to protect Earth—but who is trustworthy? Who is a betrayer? Who gets sacrificed to stop the invading fleet? Bess, Melanie, and Sarah are in a race against time and face tough choices…that will impact those they love.

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Writing process thoughts

If you had asked me a couple of years ago whether I was a pantser or a plotter when it comes to writing novels, I probably would have leaned more toward the pantser side of things. Yes, I had some rough outlines and ideas about where the books were going, but I also wasn’t about to tie myself down to the limitations of detailed plot planning. Nope. My process worked just okayfine for me without resorting to spending a lot of time on plotting. Worldbuilding, yeah. I had this concept that building the world and the characters would be enough–the plot would come.

Well, that worked for what I was doing at the time, when I was spending most of my time in one location, maybe writing a novel a year along with assorted short stories. Certainly I wasn’t working on anything book-wise that I needed to keep track of continuity of in earlier works. Plus I was working part-time and didn’t have the mental energy to spend working through detailed plotting exercises…or so I thought.

And then I decided I wanted to amp up the writing schedule. I needed to get two books a year cranked out, if not more, in order to get what I wanted to say down on paper. Plus I was facing a complex book, Netwalk’s Children,  part of a series where I had a LOT of stuff going on in a very short time frame. Added to the complexity was the reality that I was writing this first draft of a book I’d been struggling with during a long-distance move of most of our household to our second home in Enterprise. I couldn’t just putz around with editing and easing my way into the story every day before heading off to work. I needed to be able to snatch an hour here and there between packing and loading without doing any special invocations of the Muse to get back into the flow of the story.

What to do, what to do?

About this time, someone published a link to the matrices that J.K. Rowling created to track her characters. I looked at that matrix, and decided that something similar would fit my needs. Enter the Plot Matrix. For the Netwalk books (Netwalk’s Children and Netwalking Space) that meant I listed the major characters down the short side of a yellow legal pad. Then I went through the story pretty much scene-by-scene, noting what each character was doing at the time at this scene, color-coding by pen color to indicate which of the three POV characters was on stage.

It worked that first time. Not perfectly–I ended up tearing it apart and rewriting it about halfway through Children. That was a tough book to write in many ways, but having the matrix handy was priceless for drafting on the fly when I had the moments to write, and when I had to tear things apart midbook? It saved my rear.

The Plot Matrix was followed by the Scene Matrix for the rewrite. I sat down and created a similar document on the computer, landscape layout, where I started by listing page numbers for each scene, identifying viewpoint character, location, other characters in scene, scene summary, and rewrite notes as I went through the creation of the Scene Matrix.

OMG. The Scene Matrix was priceless for continuity rewrites. It gave me an understanding of the book that I had previously lacked.

Of course, next I decided to prove to myself that I didn’t need to use matrices for the next work. Beyond Honor was conceived as a short novel or novella and I didn’t think I would need the matrix for it. Ulp. I spent far too much time scrolling back-and-forth trying to keep track of things in that book, and I swore never again would I avoid the matrix.

So. Next up was Netwalking Space. Four POVs. Fast-paced story. I did the full-blown plot matrix for it–and guess what?

To start with, I somehow managed to avoid the muddle in the middle. I started work on the first draft on July 31st and finished it in early September. I was able to maintain a daily word count of 300-3000 words without killing myself over it. Disruptions didn’t mess up the work flow. Then I let it sit for a week before going back to create the Scene Matrix. Rewrites were relatively simple and it’s out to beta readers right now with a projected publication date in January.

And here I now go again. I have a short urban fantasy novel start that kind of petered out about halfway through 2015. I’d started it after Netwalk’s Children but before I got the rights back to Pledges of Honor, then dropped it when I got the Pledges rights back. One problem with Welcome to Klone’s Folly was that I didn’t have a clear picture of where I was going with the story. I had a rough idea of what I might want to do, but no details.

Well, that’s fixed. I sat down with what I have of Folly, and over the past week have hammered out a plot matrix for the darn thing. It was a bit harder than either Netwalk book because different characters, a standalone book, somewhat different genre. I might end up tearing this matrix apart in about 30,000 words…or not. It will be a good way to find out if this particular method works for a single POV urban fantasy or not. In any case, after I wrote the matrix, I found it easy to write the blurb/pitch/whatever.

It will be interesting to see if the method continues to work.

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Committing Prologue

I’m generally not a fan of prologues. But for some reason, this came to me as a possible prologue for Netwalking Space. Appropriate timing since I’m starting the rewrite tomorrow or Friday. So what do folks think about this?

*************

PROLOGUE

Once there was a woman who discovered secrets about her origins. To keep those secrets from destroying her children, she became powerful and destructive herself, chasing after immortality to avoid her ghosts. But in living beyond death, this woman discovered those shadows had a deeper claim on her than ever.

Once there was a woman who loved a man who built war machines. Over their lifetime together, he weaponized his beautiful and terrifying wife as they sought to master the effects caused by the capture of the strange city-killing machine called the Gizmo. The powerful daughter of a formidable mother, this woman rose to political heights greater than any her mother had accomplished. But when her beloved lived beyond death, she could not endure the result.

Once there was a woman who was a dutiful daughter. She served as her weaponized mother’s enforcer, mastering the wireless technology enabled by the Gizmo that allowed humans to upload personalities into the virtual world of digital life. She learned to control and work with those who lived beyond death. But this woman chose her daughter over her mother, and in doing so, gained more power over those who lived beyond death.

Once there was a woman who loved both space and the devoted assassin-in-training who had grown up with her. She took custody of the great-grandmother who had lived beyond death, forging a collaboration meant to take on worlds. But this woman and the man she loved have been targeted by the Gizmo since childhood, under consistent threat by shadows of those who lived beyond death.

Sarah. Diana. Melanie. Bess. Great-grandmother, grandmother, mother, daughter.

The Gizmo stirs as it senses the approaching fulfillment of its original purpose.

But first it has to deal with these four women, alive and dead.

Perhaps the secrets of the eldest may provide the key it needs.

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Netwalking Space finished!

About six weeks and right around 85k in rough draft, but it’s DONE. I’ll probably putz around a wee bit with the ending tomorrow, but…it’s done, done, DONE.

Six weeks of intensive writing, at about 2000 words a day average with some days going as high as 3000 or 35oo words. I did hit 4000 one day, but that was a rarity. While the ending took a few right hand turns, for the most part the storyline followed my original plan. I don’t know if it was the consistent writing, or what, but for once I didn’t have to stop in the middle third to rewrite the outline and whip the plan back in shape. I’m very pleased with that prospect.

There will need to be some significant rewriting before I ship it out to beta readers. I know there’s some continuity needs with earlier books, and within the story. I also have a subculture with too many A names, and I need to figure out some handwavium for the science part in order to maintain the narrative tension.

But it’s pretty much a wrap for this last book of the Netwalk Sequence.

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Busy times, and a Netwalking Space snippet

Between school starting back up and trying to get the novel finished and preserving the fall harvest, it’s been a busy time. But I’m getting close to finishing the book–probably 85k-90k since I’m now at 80k and we’re at the climax. 5k to play that out, 5 more k to resolve. Cool.

So here’s some of what I’m working on today:

********************

A prickling sensation like that of a swarm of insects with clawed feet scrabbled from her elbows down to her hands. Bess forced herself to relax as Alex/Sarah took over her hands, pushing past the springy resistance with three practiced twists. Stock and firing chamber were together.

The crawling feel reversed itself, climbing from fingertips to hands to wrists to elbows.

<Whew. That felt weird,> Sarah/Alex speeched.

<I’ll say so. Will you need to do the same thing with the barrel?> Bess balanced the half-assembled rifle in her left hand, working her right hand open, closed, open, closed until she could feel herself in it again. Then she shifted the rifle to her right hand and repeated with her left.

<No, the programming’s focused in those two pieces. Placement is more important.> More Alex than Sarah this time.

Light flashed at them. Bess ducked, careful to keep the rifle steady.

“I thought you two would try something sneaky like this,” a woman’s voice said over their radios. “Put that rifle down and raise your hands. I’m on the next ridge behind you.”

“Who the hell are you?” Alex demanded, stepping to shield Bess. He reached behind with his good hand and took the half-assembled rifle from her. He pressed several buttons.

Laughter. “I’m the ticket to your new forever.”

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The snark is strong with this one

Not sure how I feel about what I wrote today. Feels a little bit like jumping the shark.

*************

Melanie triggered a Netwalk system-wide alert even as she raised her defenses.

<Entities of Third Planet, 3!G Star, 7!N2* Sector.> A picture of the Earth-Moon system with the sun behind it popped up. <This is The Nest. Prepare to meet your glorious destiny. Convert to the Wisdom of the Deep Mechanicals and join Our Nest in the stars.> An image of the Milky Way galaxy replaced the Earth-Moon system. <Release our flawed segment and compensate us for the services it has rendered to you so far.> An image of the Gizmo came next. <Failure to convert, release our flawed segment, and provide adequate compensation will result in unpleasant consequences.> Images of explosions, volcanic eruptions, and tsunamis followed. <We hope you will come to a wise decision. Have a pleasant day, may your data always flow smoothly, and cherish your nest always.>

Pictures and the voice faded from virtual. Melanie tightened the jaw she’d dropped while listening to the Nest.

“What—was—that?” she finally forced out.

“I—it’s authentic, Melanie,” Will said.

“The Nest? With that cheesy—“ she gestured with both hands—“demand letter? Or are they just crappy missionaries? Pay us compensation? For what? Netwalk?”

“It sure as hell sounds like a crappy twentieth century scifi movie,” Andrew said. “If I hadn’t seen it in virtual, though, I’d not believe it.”

“Pretty damn presumptuous,” Paul said. “Convert and join. Doesn’t exactly sound voluntary to me.”

“Unless someone’s pulling one king-hell of a prank on the whole system,” Melanie said. “I mean—“ She shook her head. “Join us or die? Pay us compensation? Release their failed segment?”

“That’s a key right there,” Will said. “The gadget didn’t do what it was supposed to do. Or something. But they want it back.”

“Shit.” Melanie slumped against her chair. “You know damn good and well that the Courts will happily give the damn thing back to them without an argument. But compensation and conversion? That sounds worse.”

“If they take the gadget back they’ll get the Shadow Chamber with it,” Will said. “Is that something we want to see happen?”

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Today’s snippet

Almost at 48k today….and things are getting crazy.

*******

<Save him, damn it!> She couldn’t do anything until she got this damn piece of junk landed, and right now they were headed for a rock field. She had no thruster power, and the yoke wasn’t working well. Emergency landing procedure. Bess clicked on the airbags. They inflated with a jerk. She gave up on the yoke and secured her helmet, then turned to Alex, writhing under his seat restraints. To her relief, he had managed to secure his helmet. She grabbed it to make him face her, wincing as he kept screaming, his eyes wide and nearly popping out.

“WE’RE GOING DOWN!” she yelled. “BRACE! EMERGENCY LANDING PROCEDURE!”

Despite it all, he nodded. She tried to guide him toward a safe crash position, but his limbs resisted.

<Damn it, Sarah, DO SOMETHING.>

<Can’t…Blocked…>

Bright white lunar surface coming up fast. One of them had to be alert upon landing. One of them had to function. Bess braced herself. The shuttle struck, then bounced high, flipping over. She lost track of the number of times they rolled. At last they lay still.

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Bearing down on 45k…another Netwalking Space snippet

So I hope to break 45k on Netwalking Space today, despite a lot of busy stuff going on. Should be easy since it’s only 500 words away…and then I aim for 50k before the end of the week. Hopefully maybe even get close to my goal of reaching 60k by the end of the month…we shall see, we shall see…

Meanwhile, here’s another 2nd person POV from Diana…where things are not what they seem.

************

And yet the voices don’t seem to swamp one cool, calm sector of clarity in your mind. You take a closer look at the datathread whispering those awful things. It’s from the Shadow Chamber.

<Enjoying yourself?> This virtual voice is stronger than it has been. It’s oddly familiar, but you want to hide the clear-thinking part of you from it. Something about that particular voice makes you worried.

<I have no idea what’s happened or where I am.>

<Good,> the voice laughs. Chills run down your body as you suddenly, horrifically, place it.

Parker Landreth. Your evil, twisted, dead father-in-law. War profiteer who sent his own son out to be captured and tortured because he chose a relationship with you. Murderer of your father. You recognize his tones in that voice that has been screaming in your head about the evils of Netwalk. How the hell did he get into Netwalk? He never survived to be a Netwalker, and the traces of him that were present in the bloodbonding that Will incorporated into Do It Right technology shouldn’t have been enough for him to create a complete Netwalk personality.

<What are you doing here?> you ask, dread oozing through what you can feel of your body.

Parker’s head takes shape in your mind’s eye, fiendishly grinning. <Payback, my dearest daughter-in-law. Payback. Victory over you and your mother. Revenge on a son who was unfaithful to his father.>

<What are you planning?> And is there some way you can get a warning out to Sarah, or Melanie, or Bess? Or Will. Oh God, Will. Your father. What kind of threat is he to you? What can he do to you in virtual?

<Ah, ah, ah. That would be telling. And if there’s anything I am not, it’s one of those people who dialogues on forever about their Secret Plans.> Parker’s head arches a brow at you. <You’ll just have to find out what my plans are when I make you fulfill them.>

<I won’t do what you want. You can’t make me.>

Pain throbs through your body, then fades.

<Oh yes you will do what I tell you to do,> Parker says. <Oh yes, you will.>

More pain washes through your body, until a welcome cloud of darkness blots it out.

But still, before your consciousness fades, you vow to yourself. I’ll find a way to stop you, Parker Landreth.

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Not a Netwalking Space post…well, except for maybe the last paragraph

IMG_2109Actually, there has been other stuff going on this summer besides The Novel. We are painting house exteriors in Portland and in Enterprise; I’m helping with the big Portland project (ahem, when the temps and word count allow) while hubby is pretty much doing Enterprise on his own. Considering the Portland exterior is twice the size of the Enterprise exterior, well, that makes sense.

But more is going on other than the Novel, Painting, and Preserving/Gardening. Though Preserving/Gardening is a thing, and will be even more so as we progress through August into November.

Part of what is going on is that the prescription for Mocha this summer is lots and lots of road riding. Once I got her past the half-mile hangup in hacking out, we’ve been able to do a lot of exploring on the local gravel and blacktop roads. We’ve got the hoof issues under control, however the other piece is that she is still going through muscle adaptation to new hoof angles. That means a few consults with the equine bodyworker, and a lot of hacking out at a walk with occasional trots. When we’re not in Enterprise, she’s been going out to pasture with other horses. It’s clear she likes that part of the new regime. The Stall Princess is now a Pasture Queen. Granted, that has nothing to do with her status in the herd, which is toward the bottom.

When I’m in Enterprise, though, we’re hitting the roads. It’s an easy three-quarter mile to the gravel road that gives us access to some interesting loops. I can do a three, four, five, or seven mile road ride at (mostly) a walk with gentle hills. Most of the ride is by ag land, with occasional house clusters. We pass by entire sections of alfalfa, wheat, various hay mixes, canola, peas, and flax as well as grazing land for cattle herds and some horses on our different routes. There’s lots of whitetail deer and a fewer number of mule deer. One three-sided garage seems to be an attractive midday nap site for muley bucks; I’ve seen a four point and a forked horn lounging in that outbuilding.

Along with the crops are the wildlife. We spot feral cats bounding through the cultivated grasslands, shy and wary enough to survive coyotes, eagles, and other predators. I’ve lost track of how many California Quail coveys we spot on a daily basis. I know one covey has barely-fledged young (clearly a second hatch) while a covey that shares the same area has fledged young capable of short flight. But there’s still another covey with young that except for size look adult. Occasionally we encounter a China ringneck pheasant; fortunately, none have exploded out from under our feet. We’ve seen marmots, raptors from kestrels to eagles in size, ruffed grouse, and a distant coyote. And deer. Lots of deer. Last night, we encountered twin whitetail fawns hanging around the road. Big spotty fawns, no sign of mama. They didn’t take off until Mocha picked up a pricked-ear trot to check them out, and then they crashed through the canola fields, white tails flagging back and forth as they disappeared between leaps.

My horseback time is useful for learning the difference between whitetail and mule deer behavior. Muleys tend to freeze and look. Whitetails look, then run with their tails wagging and flashing high. If you hold, then the muley holds. The whitetail just plain takes off. They tend to run more blindly and their flight path follows predictable patterns–often right in front of us. If I were hunting whitetails, I think I can now predict the flight line they’ll take, because the terrain definitely seems to affect how they flee.

Deer don’t seem to faze Mocha. The closest incident we had was when the four point muley buck blew out of that garage almost on top of us. But even then it was a jump and freeze reaction on her part. She’s the steadiest road horse I’ve been on, in the sense that I have more confidence in her response to me than I ever did with Sparkle. Sparkle was a decent road horse, but she had an unpredictable bronc element that Mocha lacks. If things get really crazy with Mocha, I can dismount, walk a ways with her, then get back on and be confident she’s okay. Couldn’t do that with Sparkle. A definite difference in breeding and training, for sure. That said, I ride out with four reins on Mocha. Just a bit of power steering and power brakes, you might say. Most of the time, we’re marching along on the buckle. It’s those other moments when I need that little reminder. Sparkle was a bronc who might choose to react by bucking or rearing. Mocha is flat out reactive and possesses a bit of sting. But her reactivity is easily managed and that sting can be defused. She’s hotter than Sparkle ever dreamed of being but she has a lot more sense. However, both mares enjoy and enjoyed hacking out. The big difference is that Mocha might startle and maybe take a couple running strides, but Sparkle would run with a few bucks.

So this summer I’m throwing back to my childhood in the Mohawk Valley riding the small handful of gravel roads available to me from my parents’ place, only I have many more options. Plus the view on Alder Slope beats anything in the Mohawk hands down. I can look to the north and see the plateau country transitioning into the canyon country, or look to the east and see more plateau country leading to more canyon country and the Seven Devils. South, of course, are the Wallowas, especially Ruby Peak, Hurricane Creek, Chief Joseph, and Mt. Howard. Nothing like riding along on a good saddle mare with a big walk.

At the same time I’m pounding away on Netwalking Space. I passed the 30k mark today and I’m on target for getting dang close to 60K by September 1st if I can sustain this pace. It’s not the killer pace of Nano–I’m trying to average about 2500 words a day, every day, without doing the brutal 5k and 6500 word days I did during Nano. The highest word count day I have so far is 3500 words and I have a few 3100 days under my belt. I am going to be traveling a little bit in forthcoming days so I need to have a few overage days to hit my average. The other, good thing is that while the plot matrix has now become “plan? what plan? we don’t need no stinkin’ writing plans” to some extent, it still gives me enough guidance to provide some chapter outline work to give me a guide to where I’m going now. The other piece is that I think this story is going to come in at around 70k-80k words. I could be wrong, but we’ll see. I’ve hit some points at 30k that I thought would come later…on the other hand, I have two more big plot punches I can throw. So we’ll see what happens.

There you have it–a recent update that isn’t all Netwalking Space.

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