Category Archives: writing process blog

Writing Process–Worldbuilding, Early Stages

So here I am again. Facing the need to start building the world, characters, and plot lines for a new series. Well, this one is kinda new. It’s a second trilogy in the Goddess’s Honor world. But still. Here I am at the beginning once more.

Last year, sitting down to build the world and write the entire trilogy all at once, then release all at once in the fall, actually worked well for me. One of my frustrations in working with a series is remembering all of those niggling little continuity pieces, especially as the world shifts while I get to know it through writing. The reality is that you can plan, plan, plan and plot, plot, plot all you want but once the characters start interacting with the plot, stuff happens to change their backstory and even some of the earlier events in the story. I found this to be quite frustrating in writing both The Netwalk Sequence and Goddess’s Honor. Not so much with The Martiniere Legacy because I could go back and retcon things. And even though The Heritage of Michael Martiniere was partially written after the main Legacy trilogy came out, I still did not have the frustrations that I did with Netwalk and Goddess’s Honor.

As a result, I’m going to do the same thing with this trilogy. My timing is pretty close to what I was doing with the Legacy, and I’m actually starting a wee bit ahead because I’m picking up threads from the end of Goddess’s Honor and Judgment of Honor.

At this point in time I don’t even have a series title or book titles. I know it’s going to be a trilogy. But considering that I really didn’t have titles for the Legacy books until pretty late, I’m not worried about it.

I’ve been poking around at the various characters and what they need to accomplish in the series-wide arc, not the individual books just yet. It’s rather like scattering a pack of Tarot cards and looking at each one.

The Major Players

Here is Heinmyets. He played a minor but significant role in the Goddess’s Honor books. He’s going to be a major player in these books, because instead of retiring after handing the leadership of the Two Nations (Keldara and Clenda) over to his grandson Linyet, he ends up with a major diplomatic role in the reconstruction of the land of Daran. I’ve been spending a lot of time thinking about Heinmyets and the role he plays. His experience with the magic breed of horses, daranvelii, will also be significant.

Katerin ea Miteal is no longer simple Katerin Healer. Leader of Medvara, mother of the new Empress of Daran. But the lands of Varen look to her to fulfill a growing need, especially since the nations of Varen face a growing challenge to the east instead of the dangers of the Darani Empire renewing their colonial ambitions. And she has a new romantic interest in her life, after years of mourning Witmara’s father Metkyi.

Witmara ea Miteal, Empress of Daran, has a huge hot mess on her hands. Her predecessor Chatain en Ralsem focused on colonial expansion instead of maintaining the lands he already had. It’s up to Witmara to fix them and correct the injustices that have been mounting in Daran for generations. That includes a lot of special interests, including a long-term insurgency by the Matriarchs of Ternar that has only now come to light.

Betsona ea Ralsem, half-sister to Chatain and Witmara’s most prominent supporter in Daran. Her mother was Ternarese but she was never a candidate for Empress due to disability caused by a magical accident when she was young. She is also a target for the Matriarch’s insurgency and is a focal point for some of those special interests. The interactions between her and Heinmyets become crucial, especially as they take on a romantic element. Until Heinmyets, Betsona’s only romantic involvement has been with her servant Seijina. She’s key to Witmara’s success…or failure.

The Minor Players

Imnari, Headwoman of Wickmasa, is not who she appeared to be in the Goddess’s Honor books. The village of Wickmasa has been paradoxical for many generations, and Imnari is part of that.

Orlanden, lover of Haran, the late brother of the Mershaunten of Larij. He’s more than willing to leave Varen after Haran’s death, and serves as an aide to Heinmyets.

Tilvi and Tilyet–sister and brother, distant cousins of Katerin and Witmara. Senior staff in Medvara’s agriculture division, selected by the land to serve as guardians of the leadership when Katerin is not in Medvara.

Rekaré, new Goddess of Sorrow–still learning how to be a Goddess, and dealing with Stuff.

Seijina–no romantic interest between her and Orlanden, but doesn’t mean the two of ’em aren’t scheming.

So it’s still a case of spreading the cards, and concocting the big arcs. Then I sit down and start piecing together the small arcs for each book.

Projected writing start time is sometime mid-month.

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That moment when it starts to come together…..

So Choices of Honor has let me know that it is a combination of plotter and pantser this time around. I sat down earlier in March to fill out my traditional plotting matrix, along with noodling in Scrivener to do some worldbuilding and character stuff. Well. The darn book cooperated with me for the first third of its planning, and then thumbed its nose at me and said, “Read the damn notes, woman. I don’t want to be tied down scene-by-scene like you did with the Netwalk Sequence novels. I’m not gonna work with you that way.”

Okay. Fine. Whatever. Part of the issue is that I’m engaging into some major new worldbuilding in this Goddess’s Honor world. I ended up writing more of a synopsis-type outline focusing on the three main beats for the next two-thirds, and then decided I’d work more on it as I reached that point. It was becoming clear that the book had its own ideas about where it was going, and the subconscious was doing stuff I wasn’t aware of.

Well, here I am with the first third more-or-less done. The next third is going to incorporate two significant battles going on simultaneously and may require fast cuts between points of view to make it work. Plus I’m now aware of the parameters of what I need to be creating. Eeek.

That said, today we drove back to Enterprise from Portland. This time around we took the Tundra so that we could haul stuff at hubby’s sister’s house–the Subaru has better gas mileage and hauls a lot of stuff, but gravel and yard debris are somewhat out of its reach. For whatever reason, I can’t ride in the Subaru’s passenger seat without having vertigo issues. Something about the pillar and the curvature of the windshield.

It’s not an issue in the Tundra, though, and while the Tundra is a more expensive drive, it’s also quite comfortable. I drove the first part, and then while hubby drove across the desert I did some major worldbuilding work as well as promotion planning, ideas for future essays, and wildlife spotting (the Tundra is taller and better for spotting wildlife).

I still don’t have the last third of the book together. And writing this next third is going to give me gray hairs because I think there will end up being a LOT of cutting and pasting and moving around of the various POV characters. But at least I have a road map of where I’m going with it…which is more than I have had. Just-In-Time creation…book style.

All goes to show that every book is its own creation.

And then there’s the wildlife. But I think that should be its own blog, because OMG it was a great day to see critters and raptors and other birds, oh my.

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And now, CHOICES OF HONOR

When you’re working on a series and have started worldbuilding for the next book, there’s always that moment when you realize that this world has come to life. Doesn’t matter that you’ve already written several books and short stories in the series, what’s required is that sudden moment when the work twists in your hands and you realize that it’s gone from Writer Manipulating Characters to Characters taking Agency.

So I’ve been doing the deep dive into worldbuilding for the final installment of the main Goddess’s Honor trilogy, Choices of Honor. Right now what that looks like is noodling around in Scrivener and Word, writing entire installments based on my main viewpoint characters, their motivations, as well as poking around at secondary characters, settings, and etc to the tune of 1000-2000 words a day (and yes, I’m counting those words, just like I’m counting these words. It’s my newest form of writing discipline.

The story for Choices has been coming closer and closer as I’ve been writing around it. And today it suddenly sprung into life–along with the impetus for a successor trilogy set in this world.

It’s not what I would have imagined for this story forty-some years ago, when I had the first concept of the descendants of an exiled ruler, Alicira, struggling to regain their glory. Hoo boy, has that story ever changed from that first concept.

But if Choices plays out the way I hope it does in the writing, it’s going to be kickass.

And I need to revise my long term publishing schedule to accommodate this next trilogy, because I have a feeling that Yitlisk’s dealings with the Divine Confederation aren’t going to politely wait around for me to work on Oregon Country, Federation Cowboy, and some other projects before I write what’s going on there.

Plus Bess and Alex have been telling me that the Netwalk Sequence post-setup of the Nest solar system defense system is not all love and kisses.

Yep, stuff is happening. It’s probably a good thing I’ve forced myself back into a disciplinary word-tracking structure, because otherwise…I don’t know if I’d get to write it all.

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Lagging and accountability

I’m getting really annoyed with myself. For some reason I keep struggling with getting stuff done, especially with my ambitious marketing and writing plans. Things just seem to take longer and…well, it’s all probably just my ADHD getting in my way. I hadn’t thought about that aspect until I read a friend’s comment and lists of projects in motion and her surmise that maybe she was being a bit ADHD about it all, and then I went…oh. Yeah. Maybe that’s the reason. But still….

Some of this is also due to changes in online culture. Ten years ago, I was following a lot more blogs with writer metrics. Jay Lake, Elizabeth Bear, and others. The continual discussion of writing metrics and writing goals really helped keep me focused. Now…well, it’s all on Facebook, and for some reason I just don’t find what I read there to be inspirational. Perhaps not having a regular daily job is also a factor. I just don’t know.

Blogging is one area which is really suffering. I have a list of ambitious blog projects that I want to do, commentary about writing and the intersection of writing and politics. Maybe I need to post a monthly or weekly accounting of active projects, what progress I’m making, and so on. Not the daily word count metric–though I may resort to that at some point just to jump-start everything.

It may also be the mood of the current era. On the other hand, I blogged regularly throughout the Bush era, so maybe I just need to take myself in hand and do some accountability measures. Okay. So perhaps I’ll do that right now. What I’m trying to do right now is clear the deck of half-finished projects so that I don’t have them hanging over my head.

Planned Book Releases for 2018 and current progress

Challenges of Honor–due for release this month, needs formatting for ebooks and hard copy, blurb and MS size to cover designer, promotion plans needed. Planning to do some work on it today. Epic fantasy.

Klone’s Stronghold–in rough draft, about 58k words, needs to be FINISHED this week to stay on schedule. Purchase cover, write blurb, prepare promotion plan, anticipated June 2018 release. Contemporary fantasy.

Bearing Witness–in rough draft, about 30k words, needs to be finished in May but is a short novel. Purchase cover, write blurb, prepare promotion plan, anticipated July 2018 release. Western fantasy/Weird West.

Seeking Shelter expansion and revision–Revise and expand book that I’ve gotten the rights back from the publisher. Notes made for revision, about 30k new words needed. Purchase cover, prepare promotion plan, anticipated August 2018 release. Apocalyptic/cli-fi sf.

Federation Cowboy–in rough draft, about 20k words. Purchase cover, write blurb, prepare promotion plan, anticipated October 2018 release. Space opera with futuristic cowboys and sentient nonhuman beings uniting to defeat the Plasmid invasion.

Ski Days–Compilation of ski blog posts. Need to edit and write introductory material. Cover, blurb, promotion plan. Anticipated November 2018 release. Memoir.

 

Sounds ambitious but these projects have been on the table for a while. It’s time to get them cleared out so I can focus on THESE projects:

Oregon Country–What if John McLoughlin, fur trappers, Native Americans, and non-missionary whites banded together to form Oregon as its own anti-slavery country in the pre-Civil War era? With magic and unicorns, somewhat of a wish fulfillment about what should have happened in the Pacific Northwest. One of my rare male protagonists. Weird West.

Choices of Honor–Last book in the primary Goddess’s Honor trilogy. Epic fantasy.

Becoming Solo–Sewing, witchcraft, and coming of age. Urban fantasy.

Rust and Flame–Secret supernatural warfare that has been happening in and around humans for years, warring groups brought together by an outside threat that endangers supernaturals and humans alike. Urban fantasy.

Alice Mary/Coyote–A virus turns some children into superheroes, which is not widely accepted by society at large. Some short stories already published in this world. Urban fantasy.

Star Shepherds–Far future extension of Netwalk Sequence world. Humans partnered with alien entities to battle a mutual threat.

All this can change depending upon what happens with sales…..or if I get hijacked by a really good new idea.

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Adventures of a Hybrid Writer–Hitting the Wall

Between weather, summer obligations, and other things going on, I haven’t been getting much writing done lately. Late summer harvest needs, life needs, preparing to go back to the part-time day jobbe needs…everything clustered about and combined with politics, horrible heat, and all, I just couldn’t get the words down on the screen. Oh, I did get some words down for a possible side project, but other than that? Nothing on either book.

That said, I did get some reading done, and I’ve worked a little bit on promotion. But otherwise, it’s been a lot of other stuff happening and going on, and I see the prospect of a lot more of it ahead because, well, August, and August is somewhat nuts. You’d think I would remember that from year-to-year. Of course I don’t.

Looking at my overall word counts, too, I realize that working on two books might end up slowing down my actual long-term production. I’m not entirely positive about that yet, but we shall see how it flows. But coping with the dog days of summer, the heat, the urgency with which I realize we have to use these long days of sunlight for other purposes…well, alas, the writing isn’t going as well as it should.

But that will change. I know it will. The temps are going down. Soon the smoke will go away. I’ll be able to breathe better, and I’ll be able to do more.

I hope.

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Adventures of a Hybrid Writer–Word Count

Hi. My name is Joyce and I used to be a diligent word count tracker. Back when I got serious again about writing, I started keeping a daily word count to keep myself honest–I think I was influenced both by Nanowrimo and by the trend at the time amongst many of my writer friends to keep counts. I admit, there was probably a bit of competitiveness about it.

So I kept count of words by project on a daily basis, and used to break out my writing by type–not blog posts, but I tracked novel vs short stories. Then I started hitting the wall, and realized that I was focusing on quantity, not quality, and fell away from the practice.

But I still think it is and was a good thing. Why? Well, for one thing, tracking my words helped me think about where I was in a project. While this isn’t such a priority if you are writing short stories and essays, if you are creating book-length works, then it’s helpful to know if you’re in the first third or the last third, or if you’re flailing around in the middle. It gave me perspective enough to know that “okay, I’m on track,” or “Crud, I need to do something different” when working on a book. Tracking also gives me the ability to notice the difference between pacing of short stories vs novels. At this point, if I’m working on one project, I don’t really need to be tracking things. But if I do something different….

Which is why I’m tracking words again this summer. I am doing something different, working on two novels at once. Though I was well into Challenges when I started tracking, and had an existing start on Klone’s as well, I wanted to see if either project suffered.

So far, it hasn’t. The count is roughly 2x Challenges to Klone’s. But both books are at about the same place in the story. The difference is that I am shooting for Klone’s to be a shorter book than Challenges. I’m learning the pacing for that shorter book, and counting is helping with that. Plus the word count helps me realize that having two different projects at once might actually be useful for productivity because I can still run with more words out of the day if I switch projects. That’s good to know.

The other factor for summer counting is so that I can quantify how different factors may interfere with production–travel, conferences, stuff like that.

The thing to keep in mind is that word count is an analytical tool and not the end-all, be-all. If you’re using word count to quantify what you are doing and not using it as a means to analyze your production process, you’re not fully exploiting the possibilities that tracking your word count can do. That tracker can tell you a lot about your process–if you let it.

And with that, I’m off to rack up some words for the day. Tomorrow is a travel day.

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Adventures of a hybrid writer–working on two books at once

I hadn’t really planned on writing two books at once this summer. Originally, my goal was to just work on Challenges of Honor. But I had about 15k words in on Klone’s Folly, and since I wanted to have it as a short novel to shop around to various presses…I decided that perhaps it was different enough from Challenges that I could work on Klone as a break from Challenges. Klone has also suffered from being put aside for other projects and I simply wanted to get the dang thing off of the hard drive and out into the world, whether as a submission project or a self-publication project. If I clear it off of the schedule, then I can get to more projects on the list.

I also wanted to find out if it was possible for me to do this sort of writing multi-tasking.

So after about a month of doing this, I’m finding the results to be…interesting. As I anticipated, when I hit a writing wall in one book, switching to the other gets me another 500-1000 words before I’m done for the day. Working on two books doesn’t seem to negatively impact my overall writing totals–I’m averaging about 2x the amount of work on Challenges that I am in Klone, but am roughly at about the same point in the book in both places. I’m shooting for a rough draft of about 60k-80k with Klone and about 90k-100k with Challenges.

Meanwhile, I am finding that yes, with two different types of books, it is possible for me to multi-task like this. Klone is a first person POV, somewhat of an urban fantasy in a rural setting. My current quick summary is that it is Frankenstein’s Monster meets Jane Eyre in contemporary NE Oregon with Sasquatch and other supernaturals and music festivals (though the opening is the only music festival piece so far; I may need to throw another one in). I’ve been going back and forth as to whether it slides into a romance, and I think it might, which would lead to the music festival reprise. My main character Reeni has just revealed herself to be a fire elemental. Hijinks ensue.

Challenges is straightforward epic fantasy, with two third person leads who are strong females with kids–and dealing with Gods, magic gone awry, a dying strong female elder, and all sorts of slight-of-hand political games involving the Gods, an ambitious colonial empire that wants to recapture a rebel colony, and all sorts of stuff. I’m writing a lot of active female leads, not so many men. Hey, it’s a self-pub project–part of my Goddess’s Honor series–and a direct sequel to Pledges of Honor. There is a market for it, albeit not a huge one. My Goddess’s Honor books and short stories keep selling at a decent rate, which makes me happy.

Both books seem to be nourishing each other. I hit the wall on one, and find that winding down with the other book seems to free up my mind to work on the first book reasonably well the next day. It also appears to be less mentally fatiguing than devoting the same amount of time and word count to just one book. Most typically, I’ll get in about 2k on Challenges, then swap over to Klone and get in 500-1000 words for the day without flogging myself along. The switch also seems to work well for summer writing, where I might be breaking up my writing day to do horse things or other outdoor stuff early on in the day, then writing during the heat of the day. I’m also finding it easier to write after dark and later into the evening.

But most of all, I don’t feel as hammered as I would if I were working on both books.

Interestingly, too, both books have seriously jumped the rails with regard to my detailed outlines. In a good way, as I’m throwing in more complications and shoring up plot holes in the process.

Will I do it again? Well, I have other, older projects that need to be dusted off. Now that I’ve finished the Netwalk Sequence, I need to get to these other ideas that have been sitting around. At last count I had about 9 book-level projects I wanted to work on. I don’t know if this concept will work on two books that I’m starting from scratch as it really helped that I was picking up on Klone after I’d gotten some work done on it already.

But that may be the next adventure of a hybrid writer.

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Starting a series of writing process blogs, or, adventures of a hybrid writer

One of the resolutions I made for myself after this past week at the Fishtrap Summer Gathering was to start working on a series of writing process blogs. This got inspired by a gathering organized by Kim Stafford the next-to-the-last day of the conference where we were to bring books that inspired us as writers. I went looking for some of my writing books and rediscovered Jay Lake’s Process of Writing: 2005-2010. As I thumbed through the book, I remembered how much I enjoyed reading Jay’s writing blogs–but I also realized that the earliest blog posts were written when Jay was at a similar place in his career as I am now.

The thing is, though, Jay wasn’t setting out to establish himself as a writing expert. He was analyzing and recording his growth and process as a writer. Because of the type of Day Jobbe work Jay did, that involved a lot of metrics. Word count. Time it took for him to turn out a book from first draft to publication, broken down into each step. Other analyses using data and stats to look at how he was progressing as a writer.

But that wasn’t all. Jay talked about voice, about rewriting, about looking at his overall writing process. He discussed themes and how political issues impacted his writing. If you’ve read any of Jay’s works, you realize that he was a very literary, slipstream speculative fiction writer who was just coming into his own when cancer took him. Jay wasn’t just a writing machine; he was a mindful writer seeking to improve his work’s quality as well as the quantity of his production.

(and right now why am I hearing Jay’s voice saying “Joyce, stop canonizing me!“? Gotcha, Jay)

In any case, I realized that one way to revive this blog posting habit of mine as well as perhaps help myself and maybe some other writers is to commit myself to writing a regular analysis and commentary about the process of writing. I am no Jay Lake. I know that. I aspire to high levels, but instead of soaring with the eagles, I’m pecking around on the ground with the finch fledglings (like the hordes that have descended upon our bird feeders). But I deal with some situations that may be unique to me–or not. I change locations pretty regularly, splitting my time between three places. I appear to be plodding along acquiring more readers over the past year and a half. I occasionally sell a short story. I’m trying to get the rights back to a cozy apocalyptic novella that I want to expand and self-publish. I’m preparing to edit my first anthology (I hope…haven’t seen any submissions yet, and it’s a closed group).

I also want to take my self-publishing to the next level, with a completed science fiction series and a fantasy series in progress. At the same time, I am working on an urban fantasy novel that I hope will be saleable to a mid-level small press publisher. I’m getting ready to shift gears to some Western-themed fantasy and science fiction work.

But most of all, I want to increase my accountability–and if doing that means I have to write about my writing at least twice a month, then that’s what I will do. It’s likely that I’ll have a flurry of posts in the next month or so, because I want to write about the lessons I learned at Fishtrap. Mood management. Marketing thoughts. With any luck, that’ll be enough to prime the pump and keep me going.

And oh yeah. Feel free to ask me questions. That’s good for both me and the asker of questions.

Onward.

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