Tag Archives: Netwalk Sequence

Well. That was 2018.

This is going to be one of those yearly summary posts–some good, some bad, some whatever. 2018 has been another one of Those Years. You know, the sort where you’re flailing about at everything, trying to get things going and stuff just keeps happening…and happening…and happening. I made some book sales, found some cool new fans as well as kept up contacts with old fans, did stuff with the horse, and etc.

Not that it’s been a particularly bad year…it’s just been one of Those Years. Crappy moments and shining moments, all wrapped up together.

Part of the reason (besides politics which is absolutely horrific, horrible, crappy, ick, and I’m totally back in fretting about apocalyptic scenarios–well hey! I’m writing an apocalyptic book right now and the next fantasy book will also be apocalyptic in tone so I’m right on track here!) is that I think I really started kind of feeling my age this year. The area that has suffered the most has been this blog. Writing-wise, I’ve been chugging along, though not as faithfully as I would like. I think the sales of Pledges of Honor are finally slowing down…but I’m not going to gripe, because it has been selling steadily over the past three years, ever since I published it back in 2015. Sales still occasionally pop up for the Netwalk Sequence series, though no one really seems to go too far with it. I…have plans to do something about that.

Pledges did earn itself a Semifinalist position in the Self-Published Fantasy Blog-Off. I had hopes for higher, but c’est la vie. A review is supposed to come out for it next week from one of the reviewers.

So let’s look at Joyce’s Year in Writing, Horses, and Health.

Writing:

I published two books and edited an anthology, for starters.

Challenges of Honor, the second book in the Goddess’s Honor series, came out in the spring. It hasn’t sold as well as the first book, but you know, things can change.

Blurb and linkage for Amazon here.

Linkage for Books2Read here. (Apple, Nook, Kobo, etc)

Klone’s Stronghold, a contemporary fantasy featuring a mix of supernaturals, cryptids, and family issues in the isolated Bucket Mountains of NE Oregon, came out in the summer. It’s not done as well as I had hoped; nonetheless I’ve got some ideas for a sequel to it.

Blurb and linkage for Amazon here.

Linkage for Books2Read (Apple, Nook, Kobo, etc) here.

I’m currently working on a rewrite of a previously published novella, Seeking Shelter at the End of the World. The new title is Beating the Apocalypse. It’s not going to look much like the original. I’ve added two viewpoint characters, eliminated at least one and maybe two deaths in the course of the book (though I do kill others), am at about 20k additional words, and am making it a MUCH more complex book.

I also edited a themed anthology, Pulling Up Stakes, (includes my Oregon Country story “To Plant or Pull Up Stakes”) and am working on a second one, Whimsical Beasts (which will include my story “The Wisdom of Robins”).

Pulling Up Stakes Amazon details here.

Short stories also happened this year. I wrote the following Goddess’s Honor tie-in shorts:

Return to Wickmasa (post-Pledges of Honor) B2R (includes Amazon), Cleaning House (post Challenges of Honor) B2R (includes Amazon), and Unexpected Alliances, B2R (includes Amazon). I’ve decided not to mess with loading short stories directly to Kindle but will load them into Kindle via Draft2Digital.

I wrote Going Gently for the Netwalk Sequence universe. B2R (includes Amazon).

“The Cow at the End of the World” came out in Well, It’s Your Cow, edited by Frog Jones. Amazon.

I have two new stories in circulation (“A Quilter’s Stellar Sandwich” and “My Woman Left Me, My Dog Hates Me, and There Goes My Truck”). I’m also marketing a novella, Bearing Witness, which is a weird alt-Western set in a universe I’m now calling the Vortex Worlds. I was originally going to self-publish it but decided to try my luck with the trad pub market so far. I’m underwhelmed, so it may go on the publishing schedule this spring.

Then I started playing around with Medium. I’m not very diligent about posting essays there yet, but I do have a few up. I’m also toying with writing a poem a week and posting it on a separate blog page. I plan to switch hosts in this coming year, and have temporarily set up a site on wordpress.com. I’ll be transferring the whole domain at some point here. Just works better for me than what I’ve been doing.

Horse:

Mocha turned 18 this year, and is fully a mature, opinionated mare. But we achieved a bucket list goal by winning a show series buckle in the local show series in the Ranch Horse division. So I now sport a genuine, honestly-won, silver belt buckle.

She was pastured up by the east moraine of Wallowa Lake this summer, so we spent some time riding the moraine and doing Real Trail Horse stuff. She loves it. One day she was edgy and energetic so I sent her straight up the side of the moraine (actually a fairly steep climb), with plans to sidehill it if she encountered problems. She didn’t.

She went into the winter looking the best I’ve seen her in a long time, her back completely filled out around the spine and minimal sign of rib. Nonetheless, she’s getting up there in years so I’m not pushing her. She’s let me know that she really, really likes the idea of gaming as opposed to rail classes but OKAY WE WILL DEAL WITH STUPID RAIL STUFF IF THERE’S GAMING (keyhole and barrels are her favorites). As long as she enjoys the notion of “turn and burn” we’ll keep doing it. We did our first winter lope under saddle a couple of days ago (it’s been a not-so-good winter for riding outside) and she was full of energy, ready to go, and everything you want to feel with a mature horse living outside 24/7.

Health and Other Stuff:

This is the year that the teaching stuff has pretty much gone away. I substitute occasionally, and will be teaching a writing class in February, but otherwise–my long-term substitute gig abruptly ended at the end of the semester in January, and I’ve not been actively drumming up anything other than writing coaching business. I think it’s time to move away from K-12 teaching–I’m ready.

This year I feel like I’m really starting to get with it in quilting. I’ve made two small quilts and a bigger one as well as several small wall hangings. I think I will start working toward art quilt wall hangings for the science fiction and fantasy market. Other craft work is “meh”. I do have a few fans of my jewelry but not enough to put much energy into it outside of the occasional bazaar. Well…I might start trying the science fiction art show circuit again.

Health-wise, I had a real wakeup call in the fall of 2017 when I had problems hiking because my hips were too tight and I had issues. Plus I was having leg spasms bad enough that I could watch them go in waves down my right leg at their worst. Things were not good. I hurt a lot. Not the earth-shaking, major pain-killer pain, but that dragging soft-tissue coupled with arthritic pain that no traditional doctor takes seriously in a woman, especially if you can’t/won’t handle muscle-relaxants for the soft tissue stuff. And then there was the persistent shoulder issues.

Then I discovered a shiatsu massage pillow. That led to acupuncture and chiropractic work in addition to my regular massages because I realized part of the relief I was feeling came from adhesions getting broken loose. I also got smart about living in the world of ice/snow and bought hiking sticks and Yaktrak shoe chains to reduce the risk of falling (still happens but not as much). I started using a neck pillow for any drives over two hours. Additionally, I started using CBD and THC topicals, as well as oral CBD. Things aren’t perfect, but I can move again. There’s one troublesome spot in my right hip which has plagued me for thirty-eight-some years, thanks to a fall while jogging, but it’s much improved from what it’s been over the last ten years. What’s even more encouraging is that I have the urge to move again. I want to work out. My muscles are tight on a three-day cycle, but it is absolutely not the same sort of thing as I was experiencing before.

I’ve also gone back to using moisturizer and makeup. Part of it is that I have an excellent source of mineral-based makeup here in Enterprise–Wild Carrot Herbals has their company store here (as well as their warehouse/manufacturing headquarters) and they carry a nice line of makeup. I went back to my favorite Elizabeth Arden Ceramide-based moisturizers and foundation. It really does make a difference, and the moisturizer holds up to a lot of winter weather. I do need to find something different for hot summer days, though….

In any case, it’s been a year. I’m hoping to be more energized in 2019–if anything, that’s my goal for the year ahead. I want to advance my writing, perhaps expand my craft work into art shows, and otherwise.

I’ll probably put up another post about 2019 goals tomorrow. We’ll see.

 

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“Going Gently” is pretty much finished

Or so it seems. It’s a rough draft finish, of course, and I think that I’ll probably polish it and release the polished version for sale in December.

Meanwhile, I’m going to make it available to my newsletter subscribers in rough draft form, with a cover that reflects that status. In some ways, this was a tough story to write while also being compelling. It was about death, and transition, and aging. Not sure I’m completely satisfied with the ending–I never am, especially in the roughs–but it did come to an end.

Will this be the final Netwalk Sequence work? To be honest, I’m not sure. I left some loose ends hanging because they’re relevant to the backstory in Star Shepherds (which is not going to be started until I get some other projects out of the way and do some necessary research). I may go back and tweak a few of those because one new character (who will be very relevant to Star Shepherds) doesn’t get enough foundation. But I couldn’t do that until I finished the story, and, well, gotta have time to format it into reading form and get it ready to go on BookFunnel.

But make no mistake, this is a transition story between Netwalk Sequence and Star Shepherds. I may write a few more stories set in this time period as world building for Star Shepherds. I just don’t know yet. There’s other writing I need to get done, which also includes some work on getting spec stories out instead of self-pub stories. And then there’s Beating the Apocalypse, which I’ve delayed starting because I thought I was going to have some conflicts that have now gone away.

I may still put off starting up Apocalypse until later in the month so I can get some short writing done. We shall see.

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A snippet from “Going Gently”

Um. Complications are happening today…here’s a little teaser. I swear, I didn’t know this was going to happen….

************

“That’s a relief.” Bess’s eyes narrowed and she stared at the globe. “Sarah. You’re worried about Kylee. Why?”

“If I could feel her so intensely before birth, what are these aliens going to think if they’re at all engaged in the virtual world? She’s got power in virtual. Untrained, unfocused, but she’s strong enough to get the attention of potential predators. We know the Nest claims that Earth’s early transmissions and virtual presence attracted them. What if Kylee is drawing these new aliens? What if they want to use her like the Nest wanted to do to you and Alex?”

Bess’s brown face went ash-gray. “I thought this was the kind of thing the Nest protected us from.”

“So did I.” Sarah’s form flickered and jagged flashes of green pixels pulsed from the top to the bottom of the hologlobe. “What’s up with the globe?”

Something slugged Melanie’s thoughts in virtual, an oppressive and hard blow almost as strong as her stroke had initially felt. She flailed back against the pressure and it eased. Her panic ebbed as the heaviness faded and she realized it wasn’t another stroke. Her head still throbbed but now she could identify the weight as a strong virtual presence.

*********

So yeah. I’m going to make the rough draft version of this available to my newsletter subscribers on September 5th. It may not be finished, or I may decide that I’ve reached the end for now (I do plan on coming to a stopping place), then come back and revisit it in October/November to have it out as a full release in December.

Yummy. This story is getting to be very interesting…..

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Going Gently…the new Netwalk Sequence story

Like I said yesterday, I had no real intention of opening the Netwalk Sequence again.

But this story, I tell you…it’s at 4300 words and growing. At this point, I’m looking at a probable novelette length. I don’t think it’s a novella, but I’ve been putting down a lot of breadcrumbs that could sustain a longer story than just 5000 words.

In this story, we’re seeing Melanie after a stroke, with her brother Andrew near death from cancer, and…one more crisis is thrown at them, at the end of their lifespan. I started moving past the basic mechanism of that original story concept to deal with these characters who are facing the question of “do I upload into digital life and why”–where the why may affect the long-term survival of humanity.

The question of aging, in a world where digital life is possible. It’s…interesting.

In any case, I expect to have it ready in rough form for a newsletter giveaway. Actual publication will be probably in November or December. Totally unplanned, but…worth it, I think.

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Netwalk Sequence…redux, and introducing Star Shepherds

I hadn’t planned to write anything further in the Netwalk Sequence after I finished Netwalking Space, at least not for a while. Oh, a far future version was on the publishing schedule (Star Shepherds),  but as for anything immediately after Space?

Not really.

And then a particular scene kept popping into my head when I drowsed off to sleep. An old Melanie and Andrew on the Moon, Andrew near death, and in need of Melanie’s assistance.

The scene kept haunting me. Why did Andrew want Melanie to come to the Moon so urgently, at an age and fragility when it would be daunting? To say goodbye, true–but there was something more going on.

Well, it’s a story. Possibly an introduction or worldbuilding for the foundation of Star Shepherds. I should be done with it in time to give it away for my next newsletter release. Let’s just say it’s an interesting premise.

(and if you’re not already subscribed to my newsletter, leave a comment or message me)

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Guests and Learning in Space

I missed writing yesterday for various reasons, including day job, housework and prepping for today’s guests–well, not entirely as I was also doing editorial work. No horse as by the time I got done with day job and other stuff, it was raining, getting close to dark, and not worth heading out to the barn. Today was bright and sunny but I had day job, guest prep, and…drumroll…prepping Learning in Space: Bess and Alex.

Learning in Space includes my three almost-winner stories: Tranquility Freeriders (Writers of the Future SemiFinalist), Too High to Fall (Anthology Builder Finalist), and Of Archangels and Fuzzy Green Mascots (Writers of the Future Honorable Mention as In Archangel’s Arms).

I’ve got almost everything finished for it except the front matter and a couple of other minor details, and then it’s going up wide. I’ve got a tentative blurb but need to work on it yet:

Bess Fielding and Alex Jeffreys are committed to a future in space with Bess’s family company, Do It Right. But that future comes with a steep learning curve in a place where the simplest mistake can be deadly…and not all those mistakes are naturally caused. Being a leader in new space technologies doesn’t stop sabotage from happening, however. As one of the leading production companies in space, Do It Right can be a target for the disgruntled and the ambitious. Nonetheless, Bess and Alex learn more about space and each other, until…good times come to an end….

With this book I’m just about done with Netwalk Sequence publications, except for the Disruption Chronicles.

Besides book work we had friends over for snacks and a casual card game session. A pleasant afternoon for all. The house is nicely mucked out and reorganized as a result, just in time for the holidays. Not that we have many visitors, but one never knows. I took the explicitly Halloween decoration down but the fall decor will stay up through Thanksgiving. I’m really tempted by a big ski-themed decoration I saw in Safeway as it’s hard to find nice ski-themed stuff. OTOH, we’re winding down on the skiing, possibly, so we shall see.

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Writing short vs long

One thing I’ve really noticed about my writing process this year is the difference between writing short and writing long. When I write a short story, it seems as if it’s a struggle to wrest 500-1000 words out of my brain and onto the page. I end up making a lot of erasures, eliminate pieces, and often can’t see my way through to the end of the story in one sitting.

On the other hand, when I’m working on a novel, I can easily go through 1000-2000 words a day. Right now my current goal is to get 2000 words down on one novel, 1000 words on a second one. If I have several hours to work, it’s doable. When I’m working on a novel, it’s usually in 700-1000 word scene chunks and it just seems to unfold much more easily.

In part this is because my natural writing length is that of a novelist. Many of my short stories start out reading like the first chapter of a novel and need a LOT of pruning to eliminate that aspect of the story. I like complex plots with lots of twists and turns, but…you can’t do a lot of that in a short story (note the phrasing there; short story complexity often is not plot-driven but theme and character-driven).

Additionally, the novel can sprawl while every word in a short story has a purpose–sometimes even multiple purposes.

This year I’ve written four short pieces and am working on a novel. Of those shorts, one is a 6k word self-published short (Inconvenient Truths) tied into my Netwalk Sequence world and coming out on July 4th. Truths was intended to be a submission for one of the many new anthologies out there reacting to Donald Trump’s election. It didn’t fit (well, I thought it did, but I’m not the editors) and, since it was a Netwalk Sequence story, I decided that it could go out on its own.

(We won’t talk about why I’m finding it extremely difficult to write political fiction without placing it in the Netwalk Sequence world and evoking Sarah Stephens. Let’s just say that it’s my head thing and leave it. I could write several–many–political stories, but that would be violating the trust of people I know. The perils of being an ex-activist….)

Needless to say, I hadn’t really planned for Truths to happen, though it illustrates a crucial turning point in the Netwalk universe.

Another story, Exile’s Honor, is a Goddess’s Honor novelette that was somewhat planned for, and lays a foundation for elements within the current Goddess’s Honor novel, Challenges of Honor. I tend to use short stories as means to explore the series I’m writing, and Exile looked at an important development in Goddess’s Honor.

But then there are the other stories. Both are somewhat solicited, in that they’re aimed at anthologies that I was invited to participate in. One’s somewhat goofy and not at all political; the other has political elements but doesn’t move into territory that makes me want to revert to the Netwalk Sequence. Still, I agonized over both of them, and the goofy story requires more attention from me before I send it out. 500 words a day was the best I could do on either story.

Ironically, when it comes to publishing, short stories fill most of my traditional credits. Part of that reality is market-driven. Even in today’s tight publishing market, there are still more options to sell short stories to a legitimate publisher than there are novels. That’s just the way things work. The shorts may not earn me a lot of money, but they do earn something, which is what the novels (except for Pledges of Honor) don’t exactly do. On the other hand, given the amount of time it takes to produce a short story (especially on spec, where it can take anywhere from 2 months to 10 years to sell), I’m better off working on the longer works. For whatever reason, I find that the older short stories in my portfolio are the ones who sell.

So it is a puzzlement at times. Short stories earn me visibility and a shot at higher recognition. But they require a lot of energy, attention, sweat, and blood for me to make them work. Really, I need to write them, then shove them in a closet to marinate and mature before I send them out. I can’t count on them to be easily saleable, especially when writing a spec story instead of a solicited story.

Novels, on the other hand, are a lovely unfolding of a story, a pleasant ramble through the tale (even when I’m trudging through the midpoint of the novel). I can get them written, put them aside for a few weeks, then spend another month in revisions which creates a clean usable draft for editing purposes. It takes me about six months to turn out a decent 90,000-100,000 word novel from rough draft to final independent publication. But given the realities of today’s novel market, I’m better off marketing them directly to the reader (which requires production, cover work, editing work, and a lot more effort) rather than to publishers.

That said, one reason I’m working on two stories at once right now is that I am crafting one novel to send out to small and mid-level publishers. It’s a high-concept idea that has a nice little tagline and quick elevator pitch, and it might just be quirky enough to fit the demands of today’s market–or not, depending on what Marketing thinks. There’s only one way to find out, though, and that’s to send it out. I’m not planning to hit the Big Five with this one because I don’t feel like wasting my time waiting for it to take two to five years to work its way through the slush pile. But I would like to find a decent mid-to-small press where I could market some of the quirky standalone ideas I have.

The series stories? Not ready to market those elsewhere yet, especially since I want the freedom to be able to sell related short stories and the like. But the quirky standalone books? Oh yeah, if I could find a market for those…that would be a different tale.

So we shall see where this takes me.

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The two covers of Netwalking Space are now one

It wasn’t my intention to have two covers for Netwalking Space. But what happened was that I’d contacted my original cover artist, who had done the work on Netwalk: Expanded Edition and Netwalker Uprising to see if he could do this last cover. Which he did–the cover on the right side, with the title on the bottom.

It’s a gorgeous cover, and there’s nothing wrong with it–but. But! When I went to repackage it for the CreateSpace cover, nothing I did worked. I tried and tried, but I couldn’t get it to fit to CreateSpace specs. And he is busy at a day job, so…I turned to the designer of my fantasy series covers to have her do the paperback version. I decided to leave the ebook cover as is, and see if it sold.

Nothing.

So nothing was lost by switching the cover for the ebooks to match the paperback.

I think I’m going to eventually switch covers on the others, starting with the failed lousy cover I did for Netwalk’s Children. I do need to get to work on compiling the collection of the Bess and Alex novelettes (Tranquility Freeriders, Too High to Fall, and Of Archangels and Fuzzy Green Mascots). But this step is done.

We’ll see if it sells better now.

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Happy book day, NETWALKING SPACE

Netwalking full cover

0594-netwalking-space-cover

The paperback edition hasn’t quite cleared Createspace yet, but there’s the cover above! While the ebook cover was lovely, it just didn’t work in translation to hard copy. So the fantabulous Roslyn McFarland worked her magic, and lo…a hard copy cover! The woman on the front cover could be Bess, or Nora Achimade, or a couple of other characters…even Ekua the Netwalker.

But the ebook is out! Here’s all the information:

Amazon: https://www.amazon.com/dp/B01N33JCVZ

Barnes and Noble: http://www.barnesandnoble.com/w/netwalking-space-joyce-reynolds-ward/1125476216

Apple iTunes: https://itunes.apple.com/us/book/id1194878070

Kobo: https://www.kobo.com/us/en/ebook/netwalking-space

The blurb:

78,954 alien devices appear just outside Pluto orbit, with a projected trajectory that ends at Earth…and the data shows they’re identical to the Gizmo war machine that destroyed ten Earth cities before it was captured and confined….

 

For four generations Bess Fielding and her family have led the battle to control the destructive Gizmo device that also allowed for the development of Netwalk, a digital virtual networking and communication system that allows personalities to upload at death. Bess, her mother Melanie, and her Netwalker great-grandmother Sarah have suspected Gizmo’s alien origin for years.

 

But when a fleet of Gizmo devices arrives at the Solar System, their focus on defending against this invasion is disrupted by disclosures of dark secrets from Sarah’s past. These revelations provoke a dangerous breakdown in Bess’s grandmother Diana, turning her into a Gizmo collaborator. Bess and her family must unite to save Diana and lead the fight to protect Earth—but who is trustworthy? Who is a betrayer? Who gets sacrificed to stop the invading fleet? Bess, Melanie, and Sarah are in a race against time and face tough choices…that will impact those they love.

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Writing process thoughts

If you had asked me a couple of years ago whether I was a pantser or a plotter when it comes to writing novels, I probably would have leaned more toward the pantser side of things. Yes, I had some rough outlines and ideas about where the books were going, but I also wasn’t about to tie myself down to the limitations of detailed plot planning. Nope. My process worked just okayfine for me without resorting to spending a lot of time on plotting. Worldbuilding, yeah. I had this concept that building the world and the characters would be enough–the plot would come.

Well, that worked for what I was doing at the time, when I was spending most of my time in one location, maybe writing a novel a year along with assorted short stories. Certainly I wasn’t working on anything book-wise that I needed to keep track of continuity of in earlier works. Plus I was working part-time and didn’t have the mental energy to spend working through detailed plotting exercises…or so I thought.

And then I decided I wanted to amp up the writing schedule. I needed to get two books a year cranked out, if not more, in order to get what I wanted to say down on paper. Plus I was facing a complex book, Netwalk’s Children,  part of a series where I had a LOT of stuff going on in a very short time frame. Added to the complexity was the reality that I was writing this first draft of a book I’d been struggling with during a long-distance move of most of our household to our second home in Enterprise. I couldn’t just putz around with editing and easing my way into the story every day before heading off to work. I needed to be able to snatch an hour here and there between packing and loading without doing any special invocations of the Muse to get back into the flow of the story.

What to do, what to do?

About this time, someone published a link to the matrices that J.K. Rowling created to track her characters. I looked at that matrix, and decided that something similar would fit my needs. Enter the Plot Matrix. For the Netwalk books (Netwalk’s Children and Netwalking Space) that meant I listed the major characters down the short side of a yellow legal pad. Then I went through the story pretty much scene-by-scene, noting what each character was doing at the time at this scene, color-coding by pen color to indicate which of the three POV characters was on stage.

It worked that first time. Not perfectly–I ended up tearing it apart and rewriting it about halfway through Children. That was a tough book to write in many ways, but having the matrix handy was priceless for drafting on the fly when I had the moments to write, and when I had to tear things apart midbook? It saved my rear.

The Plot Matrix was followed by the Scene Matrix for the rewrite. I sat down and created a similar document on the computer, landscape layout, where I started by listing page numbers for each scene, identifying viewpoint character, location, other characters in scene, scene summary, and rewrite notes as I went through the creation of the Scene Matrix.

OMG. The Scene Matrix was priceless for continuity rewrites. It gave me an understanding of the book that I had previously lacked.

Of course, next I decided to prove to myself that I didn’t need to use matrices for the next work. Beyond Honor was conceived as a short novel or novella and I didn’t think I would need the matrix for it. Ulp. I spent far too much time scrolling back-and-forth trying to keep track of things in that book, and I swore never again would I avoid the matrix.

So. Next up was Netwalking Space. Four POVs. Fast-paced story. I did the full-blown plot matrix for it–and guess what?

To start with, I somehow managed to avoid the muddle in the middle. I started work on the first draft on July 31st and finished it in early September. I was able to maintain a daily word count of 300-3000 words without killing myself over it. Disruptions didn’t mess up the work flow. Then I let it sit for a week before going back to create the Scene Matrix. Rewrites were relatively simple and it’s out to beta readers right now with a projected publication date in January.

And here I now go again. I have a short urban fantasy novel start that kind of petered out about halfway through 2015. I’d started it after Netwalk’s Children but before I got the rights back to Pledges of Honor, then dropped it when I got the Pledges rights back. One problem with Welcome to Klone’s Folly was that I didn’t have a clear picture of where I was going with the story. I had a rough idea of what I might want to do, but no details.

Well, that’s fixed. I sat down with what I have of Folly, and over the past week have hammered out a plot matrix for the darn thing. It was a bit harder than either Netwalk book because different characters, a standalone book, somewhat different genre. I might end up tearing this matrix apart in about 30,000 words…or not. It will be a good way to find out if this particular method works for a single POV urban fantasy or not. In any case, after I wrote the matrix, I found it easy to write the blurb/pitch/whatever.

It will be interesting to see if the method continues to work.

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